ECLIPSE, 2014, single-channel video, installation documentation, Culver City, CA.
SUSPENDED PLANES, 2015, Installation, Configurations 1.0-4.0, Culver City, CA
Two square planes, one clear and one glossy black paint, suspended by tension from which nails affix twine to the wall. Painted gold clamps grasp each corner, as twine slips through. A projection of light passes onto, through, and around the planes as a meditation on words written by Kafka, “We photograph things in order to drive them out of our minds.” In a single-reflex system, such a quote appears articulated from observable reality, as each configuration assigning a new variable, shows the limits of such a system. Viewers are able to physically navigate this single reflex system, with the aim to point to multiple systems of the their bodies to enable and dismantle a singular-reflex system. The final configuration 4,0 leading to a direct experience of the single-reflex planes obfuscation of bodily projection.
1.0 Twine, nail, clamp, gold and black gloss paint, two panels of acrylic 40.64 x 40.64cm
2.0 Same as above with projected light
3.0 Same as above with projected video
4.0 Same as above with projected video
IMAGE ARCHITECTURE, Installation, Culver City, 2015.
Materials: Tokyo blue photography gel, Cotton machine part bags, Digital negative triptych, White kite string, Cable staples, Gaffers tape, Sea salt, dimensions variable.
POWER PLANTS PIANO, 2015, Installation, Culver City, CA.
“Death of the Artist” installation involving: Blue paint, two square mirrors, 8 potted palms, 7 potted mums, tree bench covered in epoxy, Casio piano on stand, skylight.
Note: Play the video with sound on to receive the serendipitous conversation.
BLAST, 2014, stop-motion glass bank with institutional pink soap, projected for an installation, Culver City, CA.