BLÅTIME SOL 2020

 

BLÅTIME SOL, 2020, 5:50 minutes, single channel video for projection. Film, performance, edit by Rachel Wolfe. Original soundtrack by Mehmet Dogu. Sun video, clay sculpture, and text by Mudi Hachim. This film was made possible by the support of AiR Kjerringøy and Bodø Kommune.

 

 

 

The Sun’s Traveling

As a dream, the screen technology transmits the sun. The process of solar transmission touches the memory of the first moment we see sun in our life. This sun remains within each one of us. The warm light resides within us forever. This traveling project with the sun, transfers the sun through a spiritual ritual derived from Sumerian civilisation. The heat of the sun of Iraq to the cold air of the North, reminds each of us, we move everywhere with this sun inside, and shine this sun from within. The project consists of transmitting light through a video made under the sun of Iraq. By enacting rituals established 8,000 years ago, good energy from the sun is transmuted through the video. The light is refracted from a container, made from paint and clay. The container used in this work contains writing from texts originating from The Epic of Gilgamesh (the sun within you). The texts and container return the memory to the sun within; even in darkness, this warmth remains. The four sections drawn represent stages of the idea, or revelation, of this project from idea to certain, to implementation. In the result, the performance through dance (expressive movements) create forms to represent the process of transmitting light. 

 


 

Nordlyset

The earth always has some magnetic excitement going on. The solar flares vary along with the cloud coverage. Despite the likelihood of northern lights being frequent, so far in Nevelsfjord, they have been a special treat. The Bayer Filter (wiki) is responsible for the dramatic green hues often seen in images of northern lights; so when I processed these, I allowed the star blur, and white and blue tones to shine through. The movement of the visual was softer and more rapid than I had pre-conceived. Kjerringøy is dark early at night since geographically resting above the Arctic Circle. While this doesn’t exactly inspire the feeling I usually have to take a nattur, or hike at night, I was able to nab these images right outside the front door. I hope the softness of the image comes to you with the delight of feeling.

 

 

AiR Kjerringøy

During the months of October and November 2020, my work and research continues by the gracious support of AiR Kjerringøy. There I will stay in Kerringøy, in the Arctic Circle near Bodø, Norway. To support my work, please follow the link within this website below. Patrons receive a password to special content only shared with those supporting the continuation of my work.

 

SUPPORT

 

Kvinnekroppen

KVINNEKROPPEN: En utstilling i anledning Kvinnedagen 2020

Åpningen på kvinnedagen søndag, 8 mars 2020, med vernissage klokka 12. Velkommen!

Besøksadresse er: ARTERIET, Lumberveien 51k, 4621 Kristiansand

Affordance (a fjord dance)

 

 

 

 

 

 

 

 

 

 

 


FEMALE BODY: An exhibition on the occasion Women’s Day 2020

Opening on Women’s Day, Sunday, 8 March 2020, with opening at 12 noon. Welcome!

Address: ARTERIET, Lumberveien 51k, 4621 Kristiansand, Norway



ARTERIET WEBSITEARTERIET FACBOOK | ARTERIET INSTAGRAM


Additional thanks to Women Nordic Music Technology (WoNoMute) for keeping the sound on (for us) all the time and during women’s day/week. My work Stop Bath was included in the playlist of female music compositions. Stop Bath was filmed, edited, produced, with original soundtrack in Oslo, Norway, and first exhibited 2017 at Oslo Art and Fashion Festival, Aker Brygge. Link to the WoNoMute Playlist: https://bit.ly/2xpeEex #contemporaryartist #womeninart #wonomute#norway #womenintech #artscience #art #image #nature #stopbath#nordic #music #sound #women #artists #film


AWMAS 2020

AWMAS 2020 CONFERENCE

INTEGRATION: APPLYING ART AND SCIENCE

LOCATION: Corwin Pavilion, University of California, Santa Barabara

CONFERENCE DATES: Wed, February 05, 2020, 9:00 AM to Fri, February 07 2020, 10:00 PM [PST]

SCHEDULE: https://awmas2020.wixsite.com/home/program

 

FOR IMMEDIATE RELEASE

AWMAS 2020 – Art Gallery Exhibition
at the Corwin Pavilion, University of California, Santa Barbara

The UC Santa Barbara-based Alliance of Women in Media Arts and Sciences (AWMAS) will hold its third annual conference this week Feb. 5-7 at the Corwin Pavilion. With the goal of celebrating and promoting innovation by women in the burgeoning transdisciplinary space between science and media arts, the conference this year will focus on the theme of “Integration.”

“Integration” is based on academic research and artistic works by women through transdisciplinary and interdisciplinary connections between the technical sciences and other applied sciences that influence new media art. The main goal behind this conference is to provide a platform for the exchange of ideas and experiences emerging from the intersection of science and applied art. Emphasis is placed on the various aspects of the mutual benefits of the integration and interaction between science and media arts.

Attracting leading female engineers, artists, scientists and educators from all over the world, the conference has become a thriving hub for the exchange of ideas, philosophy, research, and art. The conference is led by AWMAS founder Lena Mathew, a doctoral student in UCSB’s Media Arts & Technology graduate program, along with a team of curators from UCSB, and other institutions.

As part of AWMAS 2020, an exhibition of audiovisual art installations will be presented in the Corwin Pavilion, with guided tours by the artists at 5 pm on the first day (Feb. 5th), and self-guided tours on the following days. This will serve as the backdrop for an exciting series of lectures, paper and poster presentations, and a workshop on programming for the creation of experimental computer music. The conference will culminate in a free multimedia concert on the evening of the final day.

Artists
Sam Bourgault and Emma Forgues, Stejara Dinulescu, Maru Garcia, Elizabeth Hambleton, Riley Henningsen, Nana, Klith Hougaard, Xindy Kang, Christina McPhee, Rodney & Elizabeth, Sophie Nebeker, Lauren Ruiz, Sahar Sajadieh, Tiffany Trenda, Rachel Wolfe, Yin Yu, Weidi Zhang

Curatorial Team
Sam Bourgault, Rodney DuPlessis, Kio Griffith, Elizabeth Hambleton, Gustavo Rincon, Sahar Sajadieh

Contact: awmas.exhibition@gmail.com

Special Thanks: Media Arts and Technology Program (MAT), Music Department, The Center for Research in Electronic Art Technology (CREATE), transLab, & Experimental Visualization Lab