synesthetetic artist
Author Marianne Nymo‘s debut book, Gryende Hvitt, features a portrait we made together during the Kjerringøy Land Art Residency in 2020, supported by Bodø 2024, Kulturrådet, and Bodø Kommune. An article published in Sykepleien (Norway) describes Nymo’s book as giving a voice to those with dementia.
LoosenArt shows Solfége Souche video during The Performer exhibition.
15 October – November 2020. Millepiani, Via N.Odero, Rome, Italy.
Advance booking required: info@loosenart.com +39 347 496 2253
KVINNEKROPPEN: En utstilling i anledning Kvinnedagen 2020
Åpningen på kvinnedagen søndag, 8 mars 2020, med vernissage klokka 12. Velkommen!
Besøksadresse er: ARTERIET, Lumberveien 51k, 4621 Kristiansand
FEMALE BODY: An exhibition on the occasion Women’s Day 2020
Opening on Women’s Day, Sunday, 8 March 2020, with opening at 12 noon. Welcome!
Address: ARTERIET, Lumberveien 51k, 4621 Kristiansand, Norway
ARTERIET WEBSITE | ARTERIET FACBOOK | ARTERIET INSTAGRAM
Additional thanks to Women Nordic Music Technology (WoNoMute) for keeping the sound on (for us) all the time and during women’s day/week. My work Stop Bath was included in the playlist of female music compositions. Stop Bath was filmed, edited, produced, with original soundtrack in Oslo, Norway, and first exhibited 2017 at Oslo Art and Fashion Festival, Aker Brygge. Link to the WoNoMute Playlist: https://bit.ly/2xpeEex #contemporaryartist #womeninart #wonomute#norway #womenintech #artscience #art #image #nature #stopbath#nordic #music #sound #women #artists #film
AWMAS 2020 CONFERENCE
INTEGRATION: APPLYING ART AND SCIENCE
LOCATION: Corwin Pavilion, University of California, Santa Barabara
CONFERENCE DATES: Wed, February 05, 2020, 9:00 AM to Fri, February 07 2020, 10:00 PM [PST]
SCHEDULE: https://awmas2020.wixsite.com/home/program
FOR IMMEDIATE RELEASE
AWMAS 2020 – Art Gallery Exhibition
at the Corwin Pavilion, University of California, Santa Barbara
The UC Santa Barbara-based Alliance of Women in Media Arts and Sciences (AWMAS) will hold its third annual conference this week Feb. 5-7 at the Corwin Pavilion. With the goal of celebrating and promoting innovation by women in the burgeoning transdisciplinary space between science and media arts, the conference this year will focus on the theme of “Integration.”
“Integration” is based on academic research and artistic works by women through transdisciplinary and interdisciplinary connections between the technical sciences and other applied sciences that influence new media art. The main goal behind this conference is to provide a platform for the exchange of ideas and experiences emerging from the intersection of science and applied art. Emphasis is placed on the various aspects of the mutual benefits of the integration and interaction between science and media arts.
Attracting leading female engineers, artists, scientists and educators from all over the world, the conference has become a thriving hub for the exchange of ideas, philosophy, research, and art. The conference is led by AWMAS founder Lena Mathew, a doctoral student in UCSB’s Media Arts & Technology graduate program, along with a team of curators from UCSB, and other institutions.
As part of AWMAS 2020, an exhibition of audiovisual art installations will be presented in the Corwin Pavilion, with guided tours by the artists at 5 pm on the first day (Feb. 5th), and self-guided tours on the following days. This will serve as the backdrop for an exciting series of lectures, paper and poster presentations, and a workshop on programming for the creation of experimental computer music. The conference will culminate in a free multimedia concert on the evening of the final day.
Artists
Sam Bourgault and Emma Forgues, Stejara Dinulescu, Maru Garcia, Elizabeth Hambleton, Riley Henningsen, Nana, Klith Hougaard, Xindy Kang, Christina McPhee, Rodney & Elizabeth, Sophie Nebeker, Lauren Ruiz, Sahar Sajadieh, Tiffany Trenda, Rachel Wolfe, Yin Yu, Weidi Zhang
Curatorial Team
Sam Bourgault, Rodney DuPlessis, Kio Griffith, Elizabeth Hambleton, Gustavo Rincon, Sahar Sajadieh
Contact: awmas.exhibition@gmail.com
Special Thanks: Media Arts and Technology Program (MAT), Music Department, The Center for Research in Electronic Art Technology (CREATE), transLab, & Experimental Visualization Lab
FEEL THE BURN | Kamikaze
28 July 2019
4654 W. Washington Blvd.
Los Angeles, CA 90016
God was not just a mythological persona used to control populations, the ideas and the stories were also ways to describe a motive that could lead to:
Was the fault of religion to give rise to people who abuse power? In the face of reality, we can see the repeated abdication of responsibility, complicity buttress these avenues for corruption to take place. Corruption also gives rise to other motives, and so in 2019, we see an acceptance and normalisation of an increasing amount of life motives which would have been imprisoned or burned. Human life in certain regions has experienced sharp increases in individual freedom, food availability, and been fed media stories about moral and economical superiority without having the lived experience to back up the claims.
In thinking about what is true and real, or what is good as life-giving, there is benefit to gain in approaching ideas to see their contents and results. The study of history can be a leading method of charting the course of future with responsible choices for future generations to reap benefits instead of dire consequences for current missteps.
Science fiction and fiction are not the basis of myth, but instead the misunderstanding and appropriation of what people believe is right and good for the individual again. Humans are continually at several intersections of moral, ethical, political, personal, aesthetic choices. As people learn how to read the signs, visual cues, and weigh their intuitive senses with critical thinking, a sense of moral compass can be retained.
Kate Orme included my work from my recent Angelot residency in Switzerland, “Damocles,” in her exhibition at Yorkshire Artspace in Sheffield, UK, May 2019.
Damocles was made from two stones from the Vaud region of Switzerland, the foothills of Jura mountain range, and tied together with alpaca and wool, with strings wound to either side to suspend in the air. Kate Orme installed the artwork next to Nina Rodin’s work for the exhibition Elemental Me.
