Monoliths is an ongoing collection of separate artworks on seasons and time containing: Neoplatonic, Memoria Technika (5 images), Capsula: Young Lovers, Capsula: Cistern, Tabes, Currere I, Currere II, Concanate I, Concanate II, Esker, Luna Cascade, Anaphora, Omniscient, Under the Sun, 30seconds of Lake Michigan, Melody, Undulation.
NEOPLATONIC, 2018, Film exposures digitally joined.
MEMORIA TECHNICA, 2015 – 2017, a series of 5 monolithic images, sizes vary, recent exhibition of the monoliths measured 90,64 x 180 cm ( 35,68 x 70,87 in ), Film exposures realized as seasons, axiomatically marking the vertical landscape in relationship with the human body in magnetic resonance imaging. Reflected and refracted rays form a curvature filled and hollowed by literary translation of tactile qualities associated with the four seasons. The monolith as markers in chronoception – the sense and perception of passage through time.
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CAPSULA: YOUNG LOVERS, 2017, Film exposures arranged as a horizontal monolith.
CAPSULA: CISTERNS, 2017, Film exposures arranged as a horizontal monolith.
TABES, 2017, Four Film exposures digitally joined.
CURRERE I, 2016, Film exposures arranged as a horizontal monolith.
The Print Ateliér represents this artwork (external link).
CURRERE II, 2016, Film exposures arranged as a horizontal monolith.
The Print Ateliér represents this artwork (external link).
CONCATENATE I, 2016, Film exposures digitally joined.
CONCATENATE II, 2016, Film exposures digitally joined.
LUNA CASCADE, 2016, Film exposures digitally joined.
The Print Ateliér represents this artwork (external link).
ESKER, 2016, Film exposures digitally joined.
The Print Ateliér represents this artwork (external link).
ANAPHORA, 2015, film images printed on single surface, 103,91 x 84,79cm (40,91 x 33,38in).
The Print Ateliér represents this artwork (external link).
OMNISCIENT, 2015, 101.6cm x 304.8cm ( 40 x 120 in ), monolithic image and text: A monument of future history. The image stands as a totem for the change in social structure toward the wisdom of water. Water emerges as the discourse for the emotional body. The emotional body serving as the pathway for the wisdom of intuition. In the new world, emotional suppression as poverty and polluted waters cease through the cleansing of pain into ecstatic expression. Responsibility for water comes through the reverence of its high wisdom. Sacred in the new society, water is respected, protected, cherished and shared freely among people to create humane societies upon all lands. A reverence for water solidifies the respect and preservation of the emotional body constituting a humane society for humans to exist in.
UNDER THE SUN, 2015, 5 image panel, overall size 215 x 71 cm ( 85 x 28 in ), Film exposures arranged as a horizontal monolith as turns on time. Vertical images mark points of the sun in relationship with a blank journal and vision of the viewer. Perception of positive and negative spaces, curvature, shadow, mark a sense of perception of passage through time.
30seconds of Lake Michigan, 2015, triptych, images on acrylic panel, overall size 215 x 71 cm ( 85 x 28 in ), Film exposures arranged as film. The horizon shifts to create the sense the viewer is standing on boat. This is one of the artworks close to the immediacy of presence in the temporal qualities of lived experience and memory. When mounted in space or on a wall, light passes through the images and create a shadow of the plane behind the image.
MELODY, 2014, 5 image panel, overall size 215 x 71 cm ( 85 x 28 in ), Film exposures arranged as film strip.
UNDULATION, 2014, diptych, Film exposures, 104 x 85 cm (40.9 x 33.4 in)
