MONOLITHS

 Monoliths is an ongoing collection of separate artworks on seasons and time containing: Neoplatonic, Memoria Technika (5 images), Capsula: Young Lovers, Capsula: Cistern, Tabes, Currere I, Currere II, Concanate I, Concanate II, Esker, Luna Cascade, Anaphora, Omniscient, Under the Sun, 30seconds of Lake Michigan, Melody, Undulation.

 

NEOPLATONIC, 2018, Film exposures digitally joined. Limited Edition of 25: 50 x 35 cm. Limited edition of 8: 70 cm x 45 cm.

 

 

MEMORIA TECHNICA, 2015 – 2017, a series of 5 monolithic images, sizes vary, recent exhibition of the monoliths measured 90,64 x 180 cm ( 35,68 x 70,87 in ), Film exposures realized as seasons, axiomatically marking the vertical landscape in relationship with the human body in magnetic resonance imaging. Reflected and refracted rays form a curvature filled and hollowed by literary translation of tactile qualities associated with the four seasons. The monolith as markers in chronoception – the sense and perception of passage through time.

 

 

 

CAPSULA: YOUNG LOVERS, 2017, Film exposures arranged as a horizontal monolith. 

 

 

CAPSULA: CISTERNS, 2017, Film exposures arranged as a horizontal monolith. 

 

 

TABES, 2017, Four Film exposures digitally joined. 

 

 

CURRERE I, 2016, Film exposures digitally merged as a monolith. 

Limited Edition of 25: 35 x 50 cm ( 14 x 20 in ) Limited Edition of 8: 44 x 70 cm ( 43.7 x 59.5 in )

The Print Ateliér represents this artwork (external link).

 

 

CURRERE II, 2016, Film exposures digitally merged as a monolith.

Limited Edition of 25: 35 x 50 cm ( 14 x 20 in ) Limited Edition of 8: 44 x 70 cm ( 43.7 x 59.5 in )

The Print Ateliér represents this artwork (external link).

 

 

 

CURRERE, 2016, Film exposure. 

Limited Edition of 25: 35 x 50 cm  ( 13.6 x 20 in ). Limited Edition of 8: 70 x 45 cm  ( 27.213 x 40 in )

The Print Ateliér represents this artwork (external link).

 

 

CONCATENATE I, 2016, Film exposures digitally joined. 

 

 

CONCATENATE II, 2016, Film exposures digitally joined. 

 

 

 

LUNA CASCADE, 2016, Film exposures digitally joined, Edition of 25: 37.6 x  50.8 cm ( 14.8  x 20 in ), Edition of 8:  74.9 x 101.2 cm ( 29.5 x 39.83 in ) The artwork can be printed on various art papers, etched in glass, sublimation printed on textile or woven in fabric. Contact the artist for custom size and exhibition inquiries. The Print Ateliér represents this artwork (external link).

 

 

ESKER, 2016, Film exposures digitally joined. 

The Print Ateliér represents this artwork (external link).

 

 

ANAPHORA, 2015, film images printed on single surface, 103,91 x 84,79cm (40,91 x 33,38in). 

The Print Ateliér represents this artwork (external link).

 

 

OMNISCIENT, 2015, 101.6cm x 304.8cm ( 40 x 120 in ), monolithic image and text: A monument of future history. The image stands as a totem for the change in social structure toward the wisdom of water. Water emerges as the discourse for the emotional body. The emotional body serving as the pathway for the wisdom of intuition. In the new world, emotional suppression as poverty and polluted waters cease through the cleansing of pain into ecstatic expression. Responsibility for water comes through the reverence of its high wisdom. Sacred in the new society, water is respected, protected, cherished and shared freely among people to create humane societies upon all lands. A reverence for water solidifies the respect and preservation of the emotional body constituting a humane society for humans to exist in.

 

 

UNDER THE SUN, 2015, 5 image panel, overall size 215 x 71 cm ( 85 x 28 in ), Film exposures arranged as a horizontal monolith as turns on time. Vertical images mark points of the sun in relationship with a blank journal and vision of the viewer. Perception of positive and negative spaces, curvature, shadow, mark a sense of perception of passage through time.

 

 

30seconds of Lake Michigan, 2015, triptych, images on acrylic panel, overall size 215 x 71 cm ( 85 x 28 in ), Film exposures arranged as film. The horizon shifts to create the sense the viewer is standing on boat. This is one of the artworks close to the immediacy of presence in the temporal qualities of lived experience and memory. When mounted in space or on a wall, light passes through the images and create a shadow of the plane behind the image.

 

 

MELODY, 2014, 5 image panel, overall size 215 x 71 cm ( 85 x 28 in ), Film exposures arranged as film strip. 

 

 

UNDULATION, 2014, diptych, Film exposures, 104 x 85 cm (40.9 x 33.4 in) Accumulated layers of frozen water exposed on film and arranged into a formal diptych. The work is one in the ongoing series: Monoliths. The artwork can be printed on various art papers, etched in glass, sublimation printed on textile or woven in fabric. Contact the artist for custom size and exhibition inquiries.

 

 


OMNISCIENT in Imagining New Eurasia Exhibition

Oslo, Norway 오슬로, 노르웨이
OMNISCIENT  전지(全知)
Rachel Wolfe  레이첼 볼프

 

The wisdom of water is the emergence of the emotional body in social practice. Water, according to the Chinese theory of five elements, serves as a symbol and material pathway to the movement and expression of emotions. Water, as symbol and material pathway for energy, is viewed in the new society as sacred to the human experience. The water is to be protected, cherished, and shared amongst people to create a more humane society.

 

물의 지혜는 사회적인 삶에서 분출되는 감정과도 같다. 고대 중국에서 말하는 5대 원소 중의 하나인 물은 움직임과 감정 표현의 상징이자 도구다. 과거 깨끗한 물 관리에 소홀했던 때와 달리 새로운 세계에서는 물을 소중히 여긴다. 새로운 사회에서 물은 에너지로 통하는 길이자 에너지의 상징이다. 이것은 성스러운 인간 경험이다. 그러므로 더욱 인간적인 사회를 구현하기 위해 물을 보호하고 소중히 다루어 모든 이가 공유해야 마땅하다. 물을 아끼고 존중하는 것은 곧 우리 인간 사회를 구성하는 감정을 아끼고 존중한다는 뜻이다.

 

 

rwolfe_omniscient

 


 

Omniscient, 2015, 101.6cm x 304.8cm (40x120in), monolithic photographic image won first place by the Jury and was exhibited in the Here There and Everywhere Exhibition as part of the Imagining New Eurasia project at the Asia Culture Center in Gwanju, South Korea.

Exhibition Imagining New Eurasia